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Joined 8 months ago
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Cake day: January 11th, 2024

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  • I’ve run out of ways to tell you that’s not correct. The explicit purpose of the copyright law in the constitution is to allow creators to profit from their work. If you’re arguing that we should live in a pure communist society, where the products of all labor, including intellectual property, belong to community, fine, but we don’t live in a communist utopia. We live in a capitalist hellscape, and you’re looking at one of the only protections artists have, seeing how it’s been exploited by capitalism, and claiming the protection is the problem. It’s like looking at the minimum wage, seeing how cooperations have lobbied Congress to keep it so low it’s now starvation wage, and coming to the conclusion that the minimum wage needs to be abolished.


  • Right, but as I said to someone else in this thread, the fact thar copyright can’t protect 99% of creators is a problem with capitalism, not copyright. The fact that our courts favor the wealthy isn’t the fault of copyright law itself.

    Also, you’re correct that most art is created for pleasure, not profit, but that doesn’t mean the need to protect artists’ rights to their creations isn’t necessary, even beyond capitalistic reasons. Bill Waterson, the creator of Calvin & Hobbes, refused to merchandise his art simply because he didn’t want to ruin the image of his characters for a licensing deal. Without copyright law, any company could have slapped his characters on t-shirts and coffee mugs to make a quick buck off of his labor. But because of copyright law, he was able to refuse his publisher’s attempts to franchise his characters (reportedly, he even turned down Spielberg and Lucas’ pitch for an animated series based on the strip).



  • First of all, no, publishers don’t necessarily own the copyright. Most authors do a licensing deal with a publisher, but they retain the copyright to their work. My understanding is that music industry contracts vary a lot more, since music is usually more collaborative, but lots of artists still own the rights to their songs. But even if that were true, artists being forced to sell their rights to cooperations isn’t an issue with copyright, it’s an issue with capitalism. It’s like blaming America’s shitty healthcare on doctors instead of a for-profit system controlled by the insurance and pharmaceutical industries.







  • Yeah, and a lot of this will depend on how it’s used. If I were still in the service industry and I saw that a guy had been to 20 bars in the last year, and I saw he got flagged at one for violence, I would think, “Well, this doesn’t seem to be a pattern of behavior, maybe he wasn’t the instigator, I’ll keep an eye on him but I’m not too worried.” But I could see a lot of larger places, like clubs, who aren’t hurting for business, just rejecting people who are flagged out of hand. The information seems objectively good to have, but the application could be really problematic.



  • Possibly controversial opinion, but this sounds reasonable. The flags they can put on customers are, “violence, assault, destruction of property, sexual assault, fraud, and theft.” Those aren’t petty gripes like, “rude,” or, “poor tipper.” I was bar staff for a while, and I’d have wanted to know if the guy I was serving got violent the last time he went out.

    That being said, I could see how this system could be abused. If one power-tripping bouncer claims you sexually assaulted someone, and no one will serve you anymore, that’s bullshit. Some regulations around how businesses use these databases would be good.